There Is a Clash of Civilizations. By Alain Finkielkraut.
There Is a Clash of Civilizations. Interview with Alain Finkielkraut by Mathieu von Rohr and Romain Leick. Spiegel Online, December 6, 2013.
Finkielkraut:
Alain Finkielkraut is one of France's most
controversial essayists. His new book, “L’Identité Malheureuse” (“The Unhappy
Identity,” Éditions Stock ), has been the subject of heated debate. It comes at
a time when France finds itself in the midst of an identity crisis. But rather
than framing things from a social or political perspective, Finkielkraut
explores what he sees as a hostile confrontation between indigenous French
people and immigrants. He was interviewed in his Parisian apartment on the Left
Bank.
SPIEGEL:
Mr. Finkielkraut, are you unhappy with today’s France?
Finkielkraut:
I am pained to see that the French mode of European civilization is threatened.
France is in the process of transforming into a post-national and multicultural
society. It seems to me that this enormous transformation does not bring
anything good.
SPIEGEL:
Why is that? Post-national and multicultural sounds rather promising.
Finkielkraut:
It is presented to us as the model for the future. But multiculturalism does
not mean that cultures blend. Mistrust prevails, communitarianism is rampant –
parallel societies are forming that continuously distance themselves from each
other.
SPIEGEL:
Aren’t you giving in here to the right-wingers’ fears of demise?
Finkielkraut:
The lower middle classes – the French that one no longer dares to call Français de souche (ethnic French) – are
already moving out of the Parisian suburbs and farther into the countryside.
They have experienced that in some neighborhoods they are the minority in their
own country. They are not afraid of the others, but rather of becoming the
others themselves.
SPIEGEL:
But France has always been a country of immigrants.
Finkielkraut:
We are constantly told that immigration is a constitutive element of the French
identity. But that’s not true. Labor migration began in the 19th century. It
was not until after the bloodletting of World War I that the borders were
largely opened.
SPIEGEL:
Immigration has had more of a formative influence on France than on Germany.
Finkielkraut:
Immigration used to go hand-in-hand with integration into French culture. That
was the rule of the game. Many of the new arrivals no longer want to play by
that rule. If the immigrants are in the majority in their neighborhoods, how
can we integrate them? There used to be mixed marriages, which is crucial to
miscegenation. But their numbers are declining. Many Muslims in Europe are
re-Islamizing themselves. A woman who wears the veil effectively announces that
a relationship with a non-Muslim is out of the question for her.
SPIEGEL:
Aren’t many immigrants excluded from mainstream society primarily for economic
reasons?
Finkielkraut:
The left wanted to resolve the problem of immigration as a social issue, and
proclaimed that the riots in the suburbs were a kind of class struggle. We were
told that these youths were protesting against unemployment, inequality and the
impossibility of social advancement. In reality we saw an eruption of hostility
toward French society. Social inequality does not explain the anti-Semitism,
nor the misogyny in the suburbs, nor the insult “filthy French.” The left does
not want to accept that there is a clash of civilizations.
SPIEGEL:
The anger of these young people is also stirred up by high unemployment. They
are turning their backs on society because they feel excluded.
Finkielkraut:
If unemployment is so high, then immigration has to be more effectively
controlled. Apparently there is not enough work for everyone. But just ask the
teachers in these troubled neighborhoods – they have major difficulties
teaching anything at all. Compared to the rappers and the dealers, the teachers
earn so ridiculously little that they are viewed with contempt. Why should the
students make an effort to follow in their footsteps? There are a large number
of young people who don’t want to learn anything about French culture. This
refusal makes it harder for them to find work.
SPIEGEL:
These neighborhoods that you speak of, have you even seen them firsthand?
Finkielkraut:
I watch the news; I read books and studies. I have never relied on my
intuition.
SPIEGEL:
In the US the coexistence of communities works better. The Americans don’t have
this European adherence to a national uniform culture.
Finkielkraut:
The US sees itself as a country of immigration, and what is impressive about
this truly multicultural society is the strength of its patriotism. This was
particularly evident after the attacks of September 11, 2001. In France,
however, the opposite could be seen after the attacks on French soldiers and
Jewish children in Toulouse and Montauban last year: Some schoolchildren saw
Mohamed Merah, the assailant, as a hero. Something like that would be
unthinkable in the US. American society is a homeland for everyone. I don't
think that many children of immigrants here see it that way.
SPIEGEL:
America makes it easy for new arrivals to feel like Americans. Does France
place the hurdles too high?
Finkielkraut:
France prohibits students from wearing headscarves at school. This is also for
the benefit of all Muslims who don’t want a religious cage for themselves, for
their daughters and wives. France is a civilization, and the question is what
it means to participate in it. Does this mean the natives have to make
themselves extremely small so the others can easily spread themselves out? Or
does it mean passing on the culture that one possesses?
SPIEGEL:
But this has worked for a long time. The Italians, Spaniards, Poles and
European Jews had no difficulties becoming French patriots. Why is this no
longer working?
Finkielkraut:
Why is there today such aggression toward the West in the Islamic world? Some
say that France was a colonial power, which is why those who were colonized
could not be happy. But why has Europe been subjected to this massive
immigration from former colonies over the past half a century? France still has
to pay for the sins of colonialism and settle its debt to those who vilify it
today.
SPIEGEL:
You yourself are the child of immigrants, the progeny of a persecuted family.
Does your personal will to integrate explain your radical commitment to the
values of the Republic?
Finkielkraut:
I defend these values because I probably owe more to my schooling than do the Français de souche, the hereditary
French. French traditions and history were not laid in my cradle. Anyone who
does not bring along this heritage can acquire it in l’école républicaine, the French school system. It has expanded my
horizons and allowed me to immerse myself in French civilization.
SPIEGEL:
And made you into its apologist?
Finkielkraut:
I can speak and write more openly than others precisely because I am not a
hereditary Frenchman. The natives easily allow themselves to be unnerved by the
prevailing discourse. I don't have such complexes.
SPIEGEL:
How do you define this French civilization that you speak of?
Finkielkraut:
I recently reread a book by the admirable Russian writer Isaac Babel. The story
takes place in Paris. The narrator is in a hotel and at night he hears the
lovemaking sounds of the couples next door. Babel writes: This has nothing to
do with what one hears in Russia – it’s much more fiery. Then his French friend
responds: We French created women, literature and cuisine. No one can take that
from us.
SPIEGEL:
Those are idealized clichés that nations create for themselves.
Finkielkraut:
But it is true, or at least it was in the past. France can’t allow itself to
bask in its own glory. But it has evidence of its civilization, just like
Germany – it has its sights, its squares, its cafés, its wealth of literature
and its artists. We can be proud of these ancestors, and we have to prove that
we are worthy of them. I regret that Germany – for reasons that are
understandable – has broken with this pride in its past. But I believe that
German politicians who speak of Leitkultur
– the guiding national culture – are right. The Leitkultur does not create an insurmountable barrier to newcomers.